Comments on: The Astonishing Excursions of Helen Narbon & Co, Chapter Six.

By: Nick Alcock (nix)

Nick Alcock (nix) — Wed, 08 Jul 2015 19:19:17 +0000

Keiya, exactly. See Neil Gaiman’s _A Study in Emerald_ for the sorts of adverts that might do (although most of those ads are foreshadowing).

By: 'Keiya' (keiya)

'Keiya' (keiya) — Wed, 08 Jul 2015 19:19:16 +0000

Break it into two pages and ad cheesy knock-off victorian ads.

By: Aaron Shades (prof_tinker)

Aaron Shades (prof_tinker) — Wed, 08 Jul 2015 19:19:15 +0000

I always imagine them as a sort of cross between chuck jones and the really good old Felix the cat cartoons. All scritchied up and everything. With an old Vaudville piano backround.

By the way: Best Wedding March EVER. Can I steal the Idea?

By: Jeremy Berg (pisceneanteater)

Jeremy Berg (pisceneanteater) — Wed, 08 Jul 2015 19:19:14 +0000

I thought Mell had to leave her mounted cannon behind? Or did she just have to leave the big mounted cannon behind?

Also- Mell's lines in panels 3 and 4, and Helen's "Oh. I would have," complete with perfect accompanying facial expression? Classic.

By: Dan Knapp (dankna)

Dan Knapp (dankna) — Wed, 08 Jul 2015 19:19:13 +0000

“Bottom line” — that was horrible!

By: Ed Gedeon (eddurd)

Ed Gedeon (eddurd) — Wed, 08 Jul 2015 19:19:12 +0000

Well, since you mentioned Chuck Jones, I might as well confess that when I read these strips, my twisted little mind animates them in the style of Fleischer Studios. Which is still about 40 years out of date, but whachagonnado?

By: So It Begins (soitbegins)

So It Begins (soitbegins) — Wed, 08 Jul 2015 19:19:11 +0000

The bottom line is that the bottom line can be tweaked from the normal bottom line.

Sorry.

By: Leon Arnott (l)

Leon Arnott (l) — Wed, 08 Jul 2015 19:19:10 +0000

Really, the lack of visible walls or ceilings makes it painfully obvious that this is actually set on some kind of theatre stage instead of a fifteen-foot bathysphere.

Requiesat in pace, H. L.